Frequently Asked

We accept check, ACH transfer, credit card payments and Venmo.

You can either tell us about your project generally or let us know what equipment you need specifically. We can help work with you to ensure you have everything you need and make sure the equipment is prepped and ready for immediate use. We will provide a quote for your requested items and dates once we confirm availability of the equipment. We can also ship equipment to you if the project needs it. We require a Certificate Of Insurance (COI) and a 50% down payment for equipment rentals.

All Aspects or production (concepting to delivery!), Specialized 2nd Unit work, and additional services like equipment rental, stock footage licensing, and production support in the Jackson Hole area.

Yes. Out In Space Studios has a diverse network of specialized storytellers, producers, DP's, Directors & more. We will help guide to you building the right team for your production.

Yes! Jackson Hole has many film crews travel to the area. We have helped provide crew and gear of all types to many visiting film shoots over the years. If we don’t have what you need we are pretty likely to know someone who does. We also help with film permits and location scouting.

We can scale our services up or down depending on your needs. We help with any or all aspects of production. Whether you need a camera assistant, a Director of Photography, an editor, or a full production team with equipment, we are here to help.

Yes!

Jackson Hole, WY with some team members in Salt Lake CIty and other areas of the mountain West.

All kinds! Documentaries, Commercials, Features, Branded Content, Action Sports films, Natural History series, and a variety of other projects.

Yes! Jackson Hole has many film crews travel to the area. We have helped provide crew and gear of all types to many visiting film shoots over the years. If we don’t have what you need we are pretty likely to know someone who does. We also help with film permits and location scouting.

We can scale our services up or down depending on your needs. We help with any or all aspects of production. Whether you need a camera assistant, a Director of Photography, an editor, or a full production team with equipment, we are here to help.

We have vast experience capturing action sports, natural history, and all types of breathtaking imagery with GSS, Shotover, and Cineflex systems. Our system operators have worked with rigging and shooting from many helicopters, trucks, boats, and other moving vessels. We have a complete large gimbal solution for feature films and tv, documentaries, commercials and any application. The GSS system can be hired out if you already have an experienced operator. In this case, we do prefer to send a tech with the equipment rental to help get everything set up and avoid any delays or issues that could come up with travel or troubleshooting the system.

Yes! All our drone operators are licensed and current under the FAA’s Part 107 ruling. There are laws against flying drones in all National Parks. We have lots of aerial stock footage from Yellowstone and Grand Teton National Park that was legally filmed with a helicopter and is available for licensing. We also work with local helicopter companies to capture footage over the national parks and surrounding areas if that is something you need.

Absolutely! Most of our work involves traveling to far away places. While we have been inspired by shooting around our home of Jackson Hole, filming all over the globe has made us experts in storytelling in new and unique places. We’ve also mastered the logistics side of bringing lots of camera equipment to just about anywhere safely.

You can either tell us about your project generally or let us know what equipment you need specifically. We can help work with you to ensure you have everything you need and make sure the equipment is prepped and ready for immediate use. We will provide a quote for your requested items and dates once we confirm availability of the equipment. We can also ship equipment to you if the project needs it. We require a Certificate Of Insurance (COI) and a 50% down payment for equipment rentals.

This specific system is a second generation gimbal that comes in a lightweight form factor optimized for global travel with the flexibility to still support monster payloads like a RED V Raptor camera and Canon 50-1000mm lens.

A 6 axis stabilized camera gimbal. This gimbal is used for capturing buttery smooth footage with large camera and lens payloads mounted to a moving object and under direct control by a camera operator.

Yes! All our drone operators are licensed and current under the FAA’s Part 107 ruling. There are laws against flying drones in all National Parks. We have lots of aerial stock footage from Yellowstone and Grand Teton National Park that was legally filmed with a helicopter and is available for licensing. We also work with local helicopter companies to capture footage over the national parks and surrounding areas if that is something you need.

Yes! We’ve worked with helicopter charters all over the world and have many existing relationships. If you already have a camera ship reserved we will work with them to ensure we have the right camera mounts and power solutions. If you don’t know what to do, we are happy to help in finding a helicopter and organizing the logistics and walking you through all the associated costs to make aerial filming an easy process.

We have vast experience capturing action sports, natural history, and all types of breathtaking imagery with GSS, Shotover, and Cineflex systems. Our system operators have worked with rigging and shooting from many helicopters, trucks, boats, and other moving vessels. We have a complete large gimbal solution for feature films and tv, documentaries, commercials and any application. The GSS system can be hired out if you already have an experienced operator. In this case, we do prefer to send a tech with the equipment rental to help get everything set up and avoid any delays or issues that could come up with travel or troubleshooting the system.

Yes, you need to provide a COI.

We have directors, DPs, drone pilots, camera operators, first ACs, and other crew professionals in our network. We will work to provide you with an available crew member who is qualified and professional to help your production. Our team members are often and extremely qualified across different areas of production and have strong backgrounds in navigating the backcountry and outdoors safely and effectively. Our experience in remote Jackson Hole and traveling the globe makes us a tactical choice for your project.

You can either tell us about your project generally or let us know what equipment you need specifically. We can help work with you to ensure you have everything you need and make sure the equipment is prepped and ready for immediate use. We will provide a quote for your requested items and dates once we confirm availability of the equipment. We can also ship equipment to you if the project needs it. We require a Certificate Of Insurance (COI) and a 50% down payment for equipment rentals.

We accept check, ACH transfer, credit card payments and Venmo.

Reach out to us and we can chat about what you need. We will make sure you have all the right bits and pieces and get you a quote? Once we have a plan we can get a rental agreement and certificate of insurance from you and get you the equipment. We typically take a 50% down payment to reserve equipment and you’ll pay the remainder after the shoot.

No we only rent our drones out to FAA licensed part 107. We can provide a pilot if you don’t have one and have all the licenses, registration, and insurance necessary.

Yes, you need to provide a COI.

Yes! We’ve worked with helicopter charters all over the world and have many existing relationships. If you already have a camera ship reserved we will work with them to ensure we have the right camera mounts and power solutions. If you don’t know what to do, we are happy to help in finding a helicopter and organizing the logistics and walking you through all the associated costs to make aerial filming an easy process.

Reach out to us and we can chat about what you need. We will make sure you have all the right bits and pieces and get you a quote? Once we have a plan we can get a rental agreement and certificate of insurance from you and get you the equipment. We typically take a 50% down payment to reserve equipment and you’ll pay the remainder after the shoot.

We have vast experience capturing action sports, natural history, and all types of breathtaking imagery with GSS, Shotover, and Cineflex systems. Our system operators have worked with rigging and shooting from many helicopters, trucks, boats, and other moving vessels. We have a complete large gimbal solution for feature films and tv, documentaries, commercials and any application. The GSS system can be hired out if you already have an experienced operator. In this case, we do prefer to send a tech with the equipment rental to help get everything set up and avoid any delays or issues that could come up with travel or troubleshooting the system.

Yes! All our drone operators are licensed and current under the FAA’s Part 107 ruling. There are laws against flying drones in all National Parks. We have lots of aerial stock footage from Yellowstone and Grand Teton National Park that was legally filmed with a helicopter and is available for licensing. We also work with local helicopter companies to capture footage over the national parks and surrounding areas if that is something you need.

You can either tell us about your project generally or let us know what equipment you need specifically. We can help work with you to ensure you have everything you need and make sure the equipment is prepped and ready for immediate use. We will provide a quote for your requested items and dates once we confirm availability of the equipment. We can also ship equipment to you if the project needs it. We require a Certificate Of Insurance (COI) and a 50% down payment for equipment rentals.

This specific system is a second generation gimbal that comes in a lightweight form factor optimized for global travel with the flexibility to still support monster payloads like a RED V Raptor camera and Canon 50-1000mm lens.

A 6 axis stabilized camera gimbal. This gimbal is used for capturing buttery smooth footage with large camera and lens payloads mounted to a moving object and under direct control by a camera operator.

Yes! All our drone operators are licensed and current under the FAA’s Part 107 ruling. There are laws against flying drones in all National Parks. We have lots of aerial stock footage from Yellowstone and Grand Teton National Park that was legally filmed with a helicopter and is available for licensing. We also work with local helicopter companies to capture footage over the national parks and surrounding areas if that is something you need.

Yes! We’ve worked with helicopter charters all over the world and have many existing relationships. If you already have a camera ship reserved we will work with them to ensure we have the right camera mounts and power solutions. If you don’t know what to do, we are happy to help in finding a helicopter and organizing the logistics and walking you through all the associated costs to make aerial filming an easy process.

We have vast experience capturing action sports, natural history, and all types of breathtaking imagery with GSS, Shotover, and Cineflex systems. Our system operators have worked with rigging and shooting from many helicopters, trucks, boats, and other moving vessels. We have a complete large gimbal solution for feature films and tv, documentaries, commercials and any application. The GSS system can be hired out if you already have an experienced operator. In this case, we do prefer to send a tech with the equipment rental to help get everything set up and avoid any delays or issues that could come up with travel or troubleshooting the system.

Yes! All our drone operators are licensed and current under the FAA’s Part 107 ruling. There are laws against flying drones in all National Parks. We have lots of aerial stock footage from Yellowstone and Grand Teton National Park that was legally filmed with a helicopter and is available for licensing. We also work with local helicopter companies to capture footage over the national parks and surrounding areas if that is something you need.

Yes, all of our drone pilots have an FAA Part 107 license and in most cases the camera operator and spotter will carry a Part 107 license too.

FAA Part 107 licensed Pilot, camera operator, complete drone kit with registered UAS and all cameras, lenses, batteries and accessories. The team and equipment can be built around your production’s needs and budget.

You can either tell us about your project generally or let us know what equipment and operator needs you have specifically. We have thousands of hours working on documentaries, short films, commercials, branded content pieces, and other productions. We can help work with you to ensure you have everything you need and make sure the equipment is prepped and ready for immediate use. We are experts in traveling and capturing stunning visuals in some of the harshest and most demanding environments across the globe. We will provide a quote for the equipment and camera teams. We can also help secure Carnets and travel documents necessary for working outside of the United States. We can also ship equipment to you if the project needs it. We require a Certificate Of Insurance (COI) and a 50% down payment for equipment rentals.

Second unit is a discrete team of filmmakers tasked with filming shots or sequences of a production either separate from the main or "first" unit or as a specialized team focused on action sequences, pickups and B roll, or aerial production. The second unit will often shoot simultaneously with the other unit or units, allowing the filming stage of production to be completed faster. Our team has shot second unit sequences on narrative feature films, full length documentaries, and a variety of action sports, natural history, and other projects.

Yes. Out In Space Studios has a diverse network of specialized storytellers, producers, DP's, Directors & more. We will help guide to you building the right team for your production.

We have multiple vehicles in Jackson Hole that we use for camera vehicles! We have different truck options as well as off-road vehicles and side-by-sides we use depending on what best suits the job. We do not own any arm cars but have a good working relationship with other companies for this need and can coordinate that service with whatever company is geographically located in the best spot.

Yes! We’ve worked with helicopter charters all over the world and have many existing relationships. If you already have a camera ship reserved we will work with them to ensure we have the right camera mounts and power solutions. If you don’t know what to do, we are happy to help in finding a helicopter and organizing the logistics and walking you through all the associated costs to make aerial filming an easy process.

We have vast experience capturing action sports, natural history, and all types of breathtaking imagery with GSS, Shotover, and Cineflex systems. Our system operators have worked with rigging and shooting from many helicopters, trucks, boats, and other moving vessels. We have a complete large gimbal solution for feature films and tv, documentaries, commercials and any application. The GSS system can be hired out if you already have an experienced operator. In this case, we do prefer to send a tech with the equipment rental to help get everything set up and avoid any delays or issues that could come up with travel or troubleshooting the system.

Yes! All our drone operators are licensed and current under the FAA’s Part 107 ruling. There are laws against flying drones in all National Parks. We have lots of aerial stock footage from Yellowstone and Grand Teton National Park that was legally filmed with a helicopter and is available for licensing. We also work with local helicopter companies to capture footage over the national parks and surrounding areas if that is something you need.

We can provide raw file formats or compression based on your usage needs. We work to capture our stock at the highest resolutions with minimal compression for maximum flexibility when you need it.

Yes we can offer simple licensing for use worldwide.

We offer licensing for perpetuity. We also offer exclusivity options so that you don’t have to worry about your footage showing up in other projects.

We use a variety of the latest camera technology for capturing our stock footage. That is reflected in the quality of the footage as well as the price for shots that are hard to capture. We work to balance affordability with the exclusivity and high value of our footage.

The cost varies based on the content and capture techniques. We do offer some discount for buying footage in bulk.

Let us know what type of footage you are interested in and we will do the legwork to provide you with private links to look through. Once you determine the shots that you need, we can help determine the best file format to deliver and provide you with a price. We will deliver the requested footage through online file transfer or can ship a hard drive out if the amount of footage requires that.

We accept check, ACH transfer, credit card payments and Venmo.